Thanks to NetGalley and Sourcebooks Landmark for the digital ARC of Ashley Winstead's Midnight Is the Darkest Hour. The book will be published on October 3! For years, since her friendship with Everett began, Ruth has waited for their sin to catch up with her. Drawn together by their crime, Ruth—confined by her father’s role as her small Louisiana town’s judge and confessor—and Everett—an outcast whose fate was cemented by his father’s evil—find refuge, affection, and understanding in each other, which brings them comfort as they ride out the end of their teenage years together. And then a skull is found in the swamp. Suddenly, the peril of discovery that has been looming over her life arrives at her doorstep. Everett now only visits Bottom Springs in the summer, so Ruth has sought refuge and her parents’ approval by stepping tentatively into their vision for her: no college; marriage to a hometown boy; a family; and a fundamentalist Christian lifestyle. But when Everett returns, Ruth feels pulled again to a different way of living. As the investigation speeds up, Winstead reveals the truths of Ruth’s past and present in alternating passages, revealing some secrets she’s kept and some that have been kept from her. Midnight Is the Darkest Hour was my first book by Winstead, and wow, was it compelling. I didn’t want to stop reading! The non-chronological structure of the novel creates twists and turns, solving one mystery only to uncover another. The role of books and reading in Ruth and Everett’s characters, and in their relationship, made my heart happy. Most of all, I loved watching Ruth work through her vision of who she wanted to be in the face of her parents’—and the town’s—oppressive expectations. What a satisfying read!
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Thanks to partners NetGalley and Sourcebooks Fire for the digital ARC of Sara Raasch and Beth Revis's Night of the Witch. The book will be published on October 3! I absolutely loved Sara Raasch and Beth Revis's Night of the Witch, which uses a historical foundation to delve into the world of witches, witch hunts, and hexenjägers (hunters). The book opens in fourteenth century Germany with the decimation of Fritzi’s village as her mother, friends, and family are killed or imprisoned. Fritzi herself escapes after her mother hides her—against her will—in the basement, as Fritzi listens to the sounds of destruction and terror. When she realizes that her young cousin has been taken by Dieter Kirch, the head hunter, she vows to get her back, following the pack of hunters to the city that is their headquarters. Alternating chapters tell the story of Otto, a hunter who is Dieter’s second in command. Otto’s father was one of the earliest hunters, and his heritage has led him to the heights of the fervor. The hunters are plotting a spectacle, the burning of 100 witches, and Otto takes a small group out to arrest his sister, Hilde, to make her a part of the group. That’s where he meets Fritzi, who hears the ruckus and steps in to save Hilde. The writing and characterization here are gorgeous, and both Fritzi and Otto are nuanced figures who wrestle with their own responsibility in the face of their society’s manic attacks on anyone who lies outside the narrow path available to its citizens. Raasch and Revis raise questions about women’s power, about obligations to one’s community and the greater good, about the role of religion in morality. This is the first book in a series that I’ll definitely be continuing. Thanks to partners NetGalley and Bloom Books for the digital ARC of Lucy Score’s Things We Left Behind. Things We Left Behind is the final book in Lucy Score’s Knockemout trilogy: this one returns to the small town to focus both on the second-chance AND enemies-to-lovers romance of Lucian, a successful businessman, and Sloane, the town’s librarian. Lucien and Sloane had a strong friendship and almost-love story when they were teenagers until a falling out ended their relationship. Now, they’re brought together only by their mutual friends, Knox and Waylon and Nash and Lina (the couples from the first two books of the series), sniping at each other during every encounter. Of course, their chemistry is there from the beginning, and their mutual past is revealed through flashbacks that are interspersed through the novel, while they’re desperately trying—in their present—to uncover the source of peril that has plagued the community from book one. Several subplots enrich the book: Sloane is mourning the death of her father, who was also a mentor for Lucian; Lucian is running his business, employing several characters from previous novels; Sloane is working to help an innocent woman win her freedom from prison; and more. I didn’t mind these little offshoots from the main plot, as they all serve to flesh out who these characters have become. There were two plot developments that I didn’t care for, but they’re in spoiler territory, so message me if you’re interested! Overall, I found this to be a satisfying, steamy romance and a solid conclusion to the plot that had been developing throughout the trilogy: fans of Knockemout will, I think, be pleased. |
AuthorI'm Jen Moyers, co-host of the Unabridged Podcast and an English teacher. Archives
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