Thanks to partners NetGalley and Atria Books for the digital ARC of Alli Dyer’s Strange Folk. The book will be published on August 6! Alli Dyer’s Strange Folk is a story of generations of women in Appalachia and is—in the synopsis—compared to the works of “Alice Hoffman, Deborah Harkness, and Sarah Addison Allen.” Yes, please. The novel centers on Opaline, now called Lee, who left her home and family in Craw Valley for college and never came back. Now, with her marriage disintegrating, Lee and her children have returned to her grandmother Belva’s home to find that not much has changed. Belva is still the community healer, magic worker, and occasional outcast; Lee’s mother Redbud is still an addict; and Lee still yearns to be elsewhere, promising herself that they won’t stay long. Lee has never told her kids, Meredith and Cliff, anything about her home, so she’s surprised to find that they’re enchanted by the natural beauty, Belva’s mysterious knowledge, and a deep history that draws them in. Then the deaths start. There’s suspicion of Belva and a vague sense of threat permeates everything around Lee’s family. Lee is reminded of why she left and what she was running from. She’s drawn into considering just why the deaths have happened just as she’s rediscovering the entirety of who she was and who she wants to be. Strange Folk is such a compelling novel, one both firmly rooted in the realities of its rural community setting and in the magic that’s woven through each page. I appreciated the way Dyer makes apparent both the attraction that Craw Valley holds and the reasons that Lee might have felt the need to experience something different in her youth. The author illuminates the problems epitomized by Lee’s family—addiction and poverty and prejudice—without discounting the very real beauty of a tight-knit community, rich traditions, and natural beauty. Dyer weaves together Lee’s coming home with a suspenseful plot beautifully.
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Thanks to partners NetGalley and Wednesday Books for the digital ARC of Nicola Yoon's One of Our Kind. The book will be published on June 11! Nicola Yoon’s One of Our Kind is quite a departure from her YA romance novels (which I unreservedly love!)—this is an adult suspense/thriller, a creepy headtrip that kept me on edge, my shoulders tense, for all 272 pages. Jasmyn Williams has some hesitations about her family’s move to Liberty, California, an all-Black community for the top echelon. But her husband, Kingston, is convinced that their family needs to make the move to secure a safe, bright future for their son Kamau and the baby they’ll have in a few, short months. Kingston’s life hinged on a tragedy—his brother’s fatal shooting by a police officer—that has shaped his outlook ever since. The couple has experienced racism as individuals and as a couple, so at first their experience in Liberty (while at terms unnerving) reinforces the joy of living in a place with all-Black police officers and teachers and store owners. But then Jasmyn begins to notice little things: her neighbors’ unwillingness to engage with the injustice still happening outside their community; Liberty’s commitment to straightened hair and European beauty standards; and the centrality of the spa whose self-care mantras turn Jasmyn off from the beginning. Liberty was founded by Carlton Way, King’s boss, so Jasmyn understands the need King feels to toe the line, to show that he’s bought in. But then he starts spending all of his spare time at the spa, giving up his previous dedication to mentoring at-risk youth in their old neighborhood to focus on self-care. Jasmyn also has a hard time finding people she really connects with, other than Keisha and Charles, kindred spirits, with whom she decides to start a Black Lives Matter chapter in Liberty. But they hit a wall, unable to recruit a single person to join them. And then Keisha and Charles start to change their opinions. I don’t want to give away anything else about the plot, which is both captivating and deeply disturbing. The book alternates straightforward narrative with news stories and case files, illuminating the history of Liberty and its residents, creating a structure that is deeply resonant. One of Our Kind brought to mind the film Get Out and Faridah Àbíké-Íyímídé’s Ace of Spades, though those comps aren’t precise: this is the author’s unique response to American society, and it stands alone. It’s a powerful, thought-provoking work demonstrating that, regardless of genre, Nicola Yoon is a master. Thanks to partners NetGalley and Graydon House Books for the ARC of A. H. Kim’s Relative Strangers. The book will be out tomorrow! A. H. Kim’s Relative Strangers is a modern retelling of Sense and Sensibility with some big—fun—twists. The focus in this version is on the Marianne character, Amelia Bae-Wood. She’s the unreliable sister, the one who hasn’t seen her family in ages and has to hitchhike back to her childhood home, just as her mother is being evicted from it. The villain? Their father’s illegitimate son, Chong Bae, who is vying to claim his inheritance in an effort that has embroiled them in a lengthy, painful court case. Amelia arrives only to find that her sister, Eleanor, has already moved their mother to a small home at the cancer center where she volunteers. Amelia is still working through her own—secret—trauma and now has to face the resentment of her sister, who is convinced that Amelia’s lack of responsibility is a sign of her selfishness and her inability to be a stable part of her family. The conflicts here abound. First, there’s the class conflict that is part of Austen’s original novel, fueled by one of Amelia’s past relationships, which put her in the media spotlight, and by a potential love match with a new wealthy suitor. Issues in response to Amelia and Eleanor’s heritage also arise: the sisters are half-Korean (their mother is a white Southern belle, and their father immigrated from Seoul). Much of the novel is about recovering from loss: there’s the death of Amelia’s father, which—along with the loss of her home—has left their mother desolate. They’re also still dealing with the shadow of the death of Eleanor’s first husband, a loss that continues to haunt Eleanor and her daughter Maggie. Of course, there’s plenty of romance, though the center of the novel, for me, is the sibling relationship between Amelia and Eleanor, whose approaches to the world vary greatly. Eleanor feels as if she has to keep a firm grasp on everything, fearful that a loss of control will result in chaos. Amelia, in contrast, has to bring herself back from a tendency to embrace the very chaos that her sister so fears. Despite their tensions, there’s a lovely connection between them, along with some fun touches (they often communicate in movie quotes that are perfect for any situation). And watching Amelia strive to figure out who she wants to be and how she wants to share her story and her hidden struggles is a satisfying journey. I loved seeing both the ways that Kim chose to pay tribute to her source material and the places she chose to break away, to put a new spin on the classic tale. Relative Strangers is the best kind of retelling, one that relies on the strong center of the original but shows the ways that its tale is still all too relevant. Thanks to partners NetGalley and Atria Books for the digital ARC of Rebecca Serle’s Expiration Dates. The book will be published on Tuesday! I haven’t read a book by Rebecca Serle that I haven’t loved, and her new release, Expiration Dates, continues the trend. The novel centers on Daphne Bell who, since she was a child, has received strange messages from an unknown force. When she meets someone she’s going to date, pieces of paper with the person’s name and the duration of their romantic relationship appear. These strange manifestations have, of course, some consequences. She doesn’t receive a paper? That’s not someone she’s going to date. Something goes wrong right around the relationship’s “expiration date”? Well, that explains it . . . and the relationship is over with no struggle and no fuss from Daphne. And then, Daphne receives a note about Jake, and there is no expiration date. It’s a blank paper. What does that mean? Daphne tries to work through the implications with her best friend Hugo—their romance lasted only a few months, but their attachment continued—but they proceed with the assumption that this means an unending relationship. Right? Discussing further would get into spoiler territory, so I’ll just say (again!) that I absolutely loved this book. Serle excels at these books with slightly magical premises, stories that are nevertheless grounded in reality and in character. Her situations are always intriguing, and watching how Daphne, in Expiration Dates, navigates having her future foretold is so thought provoking in its consideration of free will and choice. Daphne is a compelling protagonist whose life has been shaped by circumstances outside her control, and I so appreciated the complexity of considering the implications of such circumstances for all of us. I tore through this one—pick it up tomorrow! Many thanks to Celadon Books for the ARC of Alex Michaelides's The Fury, which will be out on January 16. The book begins with a murder on an isolated island in Greece, a story told by a screenwriter named Elliot Chase, and a group of people bound by the most tenuous of threads—their allegiance to ex-movie star Lana Farrar. Chase peels back his story in layers, gradually revealing its origins in an unplanned meeting with Lana at a party, delving into her childhood and the ways it reflected his own, and circling around the answers to the questions about the murder: who is the victim? who is the murderer? This was a fast read for me, and while it didn't bring about the same shock I felt during the twists and turns of The Silent Patient, it was still a compelling enough read. Thanks to NetGalley and Sourcebooks Landmark for the digital ARC of Ashley Winstead's Midnight Is the Darkest Hour. The book will be published on October 3! For years, since her friendship with Everett began, Ruth has waited for their sin to catch up with her. Drawn together by their crime, Ruth—confined by her father’s role as her small Louisiana town’s judge and confessor—and Everett—an outcast whose fate was cemented by his father’s evil—find refuge, affection, and understanding in each other, which brings them comfort as they ride out the end of their teenage years together. And then a skull is found in the swamp. Suddenly, the peril of discovery that has been looming over her life arrives at her doorstep. Everett now only visits Bottom Springs in the summer, so Ruth has sought refuge and her parents’ approval by stepping tentatively into their vision for her: no college; marriage to a hometown boy; a family; and a fundamentalist Christian lifestyle. But when Everett returns, Ruth feels pulled again to a different way of living. As the investigation speeds up, Winstead reveals the truths of Ruth’s past and present in alternating passages, revealing some secrets she’s kept and some that have been kept from her. Midnight Is the Darkest Hour was my first book by Winstead, and wow, was it compelling. I didn’t want to stop reading! The non-chronological structure of the novel creates twists and turns, solving one mystery only to uncover another. The role of books and reading in Ruth and Everett’s characters, and in their relationship, made my heart happy. Most of all, I loved watching Ruth work through her vision of who she wanted to be in the face of her parents’—and the town’s—oppressive expectations. What a satisfying read! Thanks to partners NetGalley and Bloom Books for the digital ARC of Lucy Score’s Things We Left Behind. Things We Left Behind is the final book in Lucy Score’s Knockemout trilogy: this one returns to the small town to focus both on the second-chance AND enemies-to-lovers romance of Lucian, a successful businessman, and Sloane, the town’s librarian. Lucien and Sloane had a strong friendship and almost-love story when they were teenagers until a falling out ended their relationship. Now, they’re brought together only by their mutual friends, Knox and Waylon and Nash and Lina (the couples from the first two books of the series), sniping at each other during every encounter. Of course, their chemistry is there from the beginning, and their mutual past is revealed through flashbacks that are interspersed through the novel, while they’re desperately trying—in their present—to uncover the source of peril that has plagued the community from book one. Several subplots enrich the book: Sloane is mourning the death of her father, who was also a mentor for Lucian; Lucian is running his business, employing several characters from previous novels; Sloane is working to help an innocent woman win her freedom from prison; and more. I didn’t mind these little offshoots from the main plot, as they all serve to flesh out who these characters have become. There were two plot developments that I didn’t care for, but they’re in spoiler territory, so message me if you’re interested! Overall, I found this to be a satisfying, steamy romance and a solid conclusion to the plot that had been developing throughout the trilogy: fans of Knockemout will, I think, be pleased. Thanks to partners NetGalley and St. Martins Press for the digital ARC of Erica Bauermeister's No Two Persons. The book will be published on Tuesday! It’s easiest to explain Erica Bauermeister’s No Two Persons through its premise: the book is a series of interconnected short stories centered around a book called Theo. Bauermeister’s novel begins with Alice, the author of Theo, exploring the origins of the book, which are connected to her own life, though it’s not completely autobiographical. Each new section explores the presence of Theo in the life of someone new—the artist who designs the cover, the assistant of the literary agent who discovers it, and myriad readers. Through the short stories, characters reappear—we see Alice more than once—weaving a tribute to the power of books in our lives, the ways that they can change the way that we see ourselves, each other, the world. The writing here is just gorgeous, and we see enough of Theo to have an idea of a book, though this isn’t completely a book-with-a-book situation (so there are no long passages of Theo building into the inclusion of the book in its entirety). Instead, it’s the idea of this novel, of the way it’s one thing for Alice and another thing for each person who comes into contact with it, that captures our attention. The title comes from a quotation about no two persons experiencing a book the same way (and there’s a great story at the end from Bauermeister about the origins of the quote), and the way Bauermeister brings life to that concept resonated. There’s deep empathy here, a nuanced understanding of the fact that we can only know the smallest part of the lives of most people we know but also a strong message that empathy can—and should!—arise from even that limited knowledge. I think that anyone who’s a reader, anyone who has seen the way a book can touch someone deeply, anyone who has the urge to share a book with someone they know, will love this book. Thanks to partners NetGalley and Berkley Romance for the digital ARC of Amy Lea’s Set on You in exchange for an honest review. The book is out today! Amy Lea’s debut novel, Set on You, begins at the gym. Crystal Chen is a fitness influencer whose body positivity has earned her a huge instagram following, sponsorships, and a career as a physical trainer. She has good friends and loves her family, despite their concerns that her career isn’t stable. Scott Ritchie enters her life with an act of theft. Yes, he steals her preferred squat rack at the gym. What begins with loathing slowly begins to change as Crystal admits first her attraction to Scott and then his other positive qualities. Since she’s coming out of a relationship with a man who betrayed her trust, however, she’s hesitant to start something new . . . particularly since Scott also just broke up with his girlfriend. What I liked most about this one was the consideration of Crystal’s dedication to body positivity and her shifting understanding of what that phrase means to her and to her followers. She wants to be someone who is constantly confident and proud of her body, despite the dismissive and nasty comments she regularly receives. But is that constant confidence realistic? What is the best way to handle comments that tear her down? Set on You will appeal to a variety of readers and is perfect for fans of enemies-to-lovers romances. It’s a fun, sweet, thought-provoking romance. Thanks to partners NetGalley and Atria Books for the digital ARC of Rebecca Serle’s One Italian Summer in exchange for an honest review. The book is out on March 2! Rebecca Serle has a beautiful touch with magical realism. Whether it’s dining with special people—alive and dead—in The Dinner List or a five-year journey forward in time in In Five Years, Serle uses these magic premises to wring truth from reality. She performs that same magic in One Italian Summer. The premise here is (relatively) simple to explain: Katy is grieving the death of her mother and decides to take the trip that they had planned together. She tells her husband that she’s not sure she can be with him anymore, boards a plane, and takes the solo vacation she and her mom, Carol, have been dreaming about for years. Carol had spent time in the small town of Positano and yearned to show Katy everything she loved about it, so Katy vows to follow the itinerary her mother had set up. Soon, she begins to enjoy small moments in a way she hasn’t been able to since her mother fell ill. Then, one day, Katy sees her mother. Yes, she’s much younger, but it’s her. And suddenly, Katy feels as if she has a second chance to get to know her mother in a way she never had, to forge a friendship with the woman she loved so much. Serle explores Katy’s grief, her hope, and her joy so vividly here. There’s laughter, some romance, vivid descriptions of food, and an amazing sense of the Italian landscape. One Italian Summer is a gorgeous, moving book. I absolutely could not put it down. |
AuthorI'm Jen Moyers, co-host of the Unabridged Podcast and an English teacher. Archives
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