 Thanks to partners NetGalley and Macmillan for the digital ARC of Libba Bray’s Under the Same Stars, which will be published on February 4.
I’m a long-time fan of Libba Bray’s work, of the way she’s able to shift between fantasy and historical fiction, incisive cultural and societal commentary and truly hilarious comedy, gorgeous romance and thrilling action. When I saw a promo for her new YA novel Under the Same Stars, I requested it without even reading the synopsis. It was the right decision. Under the Same Stars is historical fiction that weaves between three time periods, three protagonists. First is Sophie, a teenager in 1940s Germany. Sophie and her best friend Hanna are more focused on love and friendship than on the war that increasingly encroaches on their village. They write romantic letters to mysterious pen pals, leaving their notes in the Bridegroom’s Oak that lies in the nearby forest, checking back frequently for responses. Soon, though, they are unable to deny the threats among them and have to decide how they will react to the injustice they see. The second story takes place in West Germany in 1980. The Berlin Wall runs through the city where Jenny Campbell and her family move because of her father’s promotion. Jenny hasn’t been satisfied with herself or her life for a while, but this major change opens up possibilities for her as she happens upon the underground punk scene and, in particular, Lena, who seems to embody all that Jenny wants for herself. As Jenny is drawn into Lena’s world—and drawn to Lena herself—she struggles with the expectations of her parents, her vision for herself, and the demands of her new friends in the face of the wall that looms over them all. Finally, there’s Miles in New York City, at the beginning of the COVID lockdown, during Miles’s senior year of high school. Miles is living alone—one of his mothers was traveling when the lockdown happened, and the other is a nurse who is self-isolating to keep Miles safe. Miles is even more lonely because he and his best friend Chloe hadn’t talked for months, and now the lockdown makes it seem as if they’ll never talk again…until she reaches out for her help unraveling a mystery. Chloe’s grandmother suffered from a stroke and is now in an assisted living home, unable to communicate. But she sent a mysterious package to Chloe with details about her youth in Germany. Miles has taken three years of Germany and, like Chloe, is a huge fan of an investigative podcast, which has inspired Chloe to look into her grandmother’s history . . . with Miles’s help. From here, Bray orchestrates a gorgeous balancing act, one that navigates each teenager’s coming of age, the upheaval of their unique eras, and the decisions they must make for who they want to be in the changing worlds around them. Because there’s always just a little magic in Bray’s books, there’s also a beautiful fairytale that is told and re-told through the novel, transforming as truths emerge and come into focus. Under the Same Stars is a stunning novel that shows, through these characters, how important it has always been to stand up for what is right and to take hold of who they truly are.
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 Thanks to partners NetGalley and St. Martin's Press for the digital ARC of Emma Lord’s The Rival, which will be published on January 21.
Emma Lord has such a talent for writing YA romances with compelling premises that don’t fall victim to oversimplification. (It’s why she’s one of my auto-read authors.) With her newest novel The Rival, she tells a sort of enemies-to-lovers romance that confronts the challenges of being a college freshman and the best way to stand up for a cause we believe in. Sadie earned her high school’s single, coveted spot at Maple Ride University, winning out over her family friend—and secret, long-time rival—Seb, who’s attending a different, prestigious school. Sadie is determined to make her mark at Maple Ride and to earn the one staff position for a freshman at the college’s zine Newsbag, all as a way of setting up her comedy career. There’s a twist, of course. Seb, who was waitlisted, has shown up on campus. And he also wants to join the Newsbag staff. Sadie had looked forward to escaping the constant challenges of her rivalry with Seb but also of establishing a new, true college identity, the one she had never been able to live out when she was with our family. With them? Well, they’re A. LOT. And Sadie always finds herself in the role of mediator, smoothing things over, evening out everyone’s emotions. Now? She may want to be a lot, too. That’s the initial setup. Add in a budget controversy in which the college is pulling money away from extracurriculars like Newsbag to fund their sports teams, and there’s the perfect recipe for a compelling, complicated, wonderful YA novel. The romance is at the center of the book here, but it’s not the only focus. There are wonderful conversations about Sadie and Seb’s challenges as they leave their families—they’re excited to be on their own, homesick for their families, ready to carve out new identities, but not quite prepared to leave who they were behind. There are great considerations of friendship, of how to be an advocate and an ally without dismissing the concerns of those who may be affected by change. There’s a fantastic subplot about romantic relationships—Sadie is completely inexperienced and, now that she’s in college, is having a hard time moving past the feeling that she is the ONLY one who is in her same position. That may sound like too much, but Emma Lord makes it work. The Rival navigates these various threads easily, with humor and empathy and swoony romance. It epitomizes everything I love about Lord’s writing.  Thanks to partners NetGalley and Wednesday Books for the digital ARC of Amanda Quain’s Dashed. The book will be published on July 16!
I have great, great affection for Jane Austen’s Sense and Sensibility, and I thoroughly enjoyed Amanda Quain’s Ghosted, a retelling of Northanger Abbey. That made Dashed, Quain’s retelling/modern continuation of Sense and Sensibility an easy pick for my TBR. Dashed focuses on Margaret Dashwood, the youngest sister in her family. In Austen’s book, she’s a sort of afterthought to Elinor and Marianne (the “sense” and “sensibility” of the title); here, she’s the center. During her childhood, she was more like Marianne—she was impulsive and extroverted and emotional. After Marianne’s yearning for a man she couldn’t have ended in tragedy for Marianne and Margaret, she vowed to be more like Elinor: controlled and independent and organized. That meant putting mental space between her and Marianne. Now, Margaret has graduated from high school and has planned to spend her summer on a cruise ship with Elinor and Elinor’s husband Edward, the chaplain on the ship. Her plans change rapidly when Marianne shows up, boards with the family, and drops the news that Brandon broke up with her. And she’s spending the summer with Elinor and Margaret. Immediately, Margaret panics, convinced that she’s going to fall back into a Marianne pattern . . . unless Margaret can find a new match for Marianne who will distract her and keep her on an even keel. (After all, she thinks, it’s only romantic attachments that anchor Marianne.) In the meantime, Marianne has her own plans for Margaret, who has never succumbed to love after seeing the turmoil it wrought with her sister. Marianne will go along with Margaret’s plans IF Margaret goes on some blind dates of her own. Fortunately, Margaret made a quick—friends-only, she says—connection with Gabe, who runs the soundboard for the ship’s entertainment. He’ll be the perfect, decoy blind date. She just has to convince herself that friendship is all she feels. Dashed is a fun update/retelling that makes full use of Austen’s beautifully developed characters in a modern setting. While I did feel that the polarity of Elinor and Marianne was a bit much—Margaret continually told herself she had to choose between these two models, and I felt she was just too smart to fall into the sort of dichotomy that steers much of the plot—and Margaret’s denial of her feelings for Gabe cycled a bit too long, I still thoroughly enjoyed the time devoted to the youngest member of the Dashwood family. I appreciated the ways that she explored the ways that Margaret would have experienced the love stories of Elinor and Edward, of Marianne and Brandon, and the ways that might have affected a young, impressionable sister. I did feel, however, that it took too long for the book to lean into the complexities that lie beneath the easy characterizations that Austen ultimately resists. There’s great humor in Margaret’s reality show-style attempts to find a match for Marianne, and I loved seeing Elinor and Edward years into a sweet, stable marriage. Gabe is also a fantastic romantic interest, and his years on the cruise ship lead him to be a wonderful tour guide for Margaret. The various stops make for a wonderful setting. Overall, I recommend Dashed to Austen fans and to YA romance readers, and I look forward to reading the next installment in Quain’s series of modern Austen retellings.  Thanks to partners NetGalley and Wednesday Books for the digital ARC of Molly Morris's Annie LeBlanc Is Not Dead Yet. The book will be published tomorrow!
I knew from the first page that I was going to love Molly Morris’s Annie LeBlanc Is Not Dead Yet. It’s quirky and original and just totally captivating. Here’s the premise: Wilson Moss is a high school senior, and she’s completely alone. She’s been alone since both of her best friends abandoned her, just as they were moving into their junior years. Ryan cut her off completely (though they—awkwardly—still work together at Ryan’s mom’s restaurant). Wilson’s mom left Wil’s long-time stepfather, the adult who provided the most stability in her and her younger half-sister’s life. Her friend Annie? She not only transferred to the local private school but also ended their friendship. And then, she died. Wil’s not exactly sure what happened, though she has some ideas. So, she takes a chance on her town’s unique contest, a once-every-decade anomaly. Any resident of Lennon can throw their name in the hat for a chance to bring back someone dead . . . for 30 days. Shockingly, Wil wins the contest, which means she has 30 days to (temporarily) resurrect her friendship and to figure out just what makes her so unlovable. The whole situation is complicated. Ryan had begun making small forays into friendship again, but Wil’s choice makes Ryan beyond angry since the first fissures in their friendship began with Annie and Ryan. And Wil isn’t content with 30 days, so when she picks up on a loophole from Ruth Fish (the seemingly immortal being who’s in charge of the town, and the contest) Wilson vows to mend the trio’s friendship and—hopefully—make this a real chance at life again for Annie, and a real chance at friendship again for her. This book has so many layers. I love the magical realism, the strangeness of the contest and the matter-of-fact way that everyone in the town accepts it. The world building is just fantastic. I love the complexity of Wilson’s character, the way she’s so valiantly trying to gain some control over the areas of her life that she lost, searching for love and friendship and family. The secondary characters here are incredibly vivid, too, and I could feel the ways that they’re struggling for so many of the same things that Wilson is hoping for, each existing as fully realized people in the same way that Wil is. After finishing Annie LeBlanc Is Not Dead Yet, I found out that Morris has one previous YA novel—I’ll be picking it up soon. Do yourself a favor, and put this one on your TBR.  Thanks to partner NetGalley and Wednesday Books for the digital ARC of Ashley Schumacher’s In the Orbit of You. The book will be published tomorrow!
Ashley Schumacher excels at writing books that tug at my heartstrings, that make me ugly cry. Starting with Amelia Unabridged, which had me full-out sobbing, Schumacher’s YA novels his emotional beats that are authentic and rooted in well-developed, deeply felt characters. Her newest novel, In the Orbit of You, starts with a childhood friendship between Nova Evans and Sam Jordan. They were neighbors, and best friends, reigning over Snailopolis, an imaginary world that served as an escape from ugliness and abuse. Their friendship brings both of them comfort, until Sam is removed from his home, but they promise solemnly to find each other again, when they’re grown up, when they’re 18. Flash forward. Nova is . . . well, she’s 17, and it’s her first day at the umpteenth new school she has entered as she follows her mother’s career from one location to the next. This time, Nova promises herself that she won’t fall into whatever persona seems to make things easiest. Instead, she’s going to figure out who she really is, the identity that fits her best. And then she sees Sam. Nova recognizes him almost right away. He . . . doesn’t recognize her. He’s got a girlfriend, a best friend, amazing parents, a promising future as a football star. But he’s not happy, and Nova quickly sees that unhappiness. And then Sam recognizes her. From there, the book enters a cycle: the promise of reunion, of friendship, and of a new attraction exerts a powerful pull. But Sam has an established life, and Nova knows that they’re moving in just two months, so throwing caution to the wind and entering a state of upheaval and chaos on the off chance that they have something real just doesn’t seem worth it. Or does it? As with all of Schumacher’s books, In the Orbit of You shows a deep understanding of its characters, and I truly loved both Nova and Sam. I did get a little weary of the cyclical nature of their surrender to their feelings and the subsequent denial of them, but the story is still a powerful one, and Schumacher is still an auto-read author for me.  Thanks to partners NetGalley and Wednesday Books for the digital ARC of Emma Lord’s The Getaway List. The book will be published on Tuesday!
The Getaway List is Emma Lord’s fifth YA book—I’ve read all five, and I love every single one. Lord has a knack for creating characters who are flawed and real, dealing with difficult transitions in incredibly imperfect—but understandable—ways, and those qualities are all present in this newest novel. It focuses on an often difficult stage: the time right after graduation, when everything is in transition. On page one, Riley Larson is in the midst of the graduation ceremony, in a unique position: she’s the only person in her high school to have been rejected by all ten colleges to which she applied. And now? She’s not really sure what she’s going to do. Riley’s single mom has the plan that she always has for Riley. She’s going to keep her busy, keep her focused, keep her from wandering. So, Riley should get a job and take community college classes until she has a different, mom-approved plan. But Riley isn’t so sure that’s what she wants. After some mild trouble a few years back, Riley’s mother signed her up for a varied and never-ending array of extracurricular activities, leaving her no time just to be . . . or to be with her best friend, Tom. Tom has been Riley’s best friend since they were kids, when their mothers met at an event for single moms and sort of forced the issue of their friendship. But then, that friendship became deep and sincere, a core relationship for each of them, even after Tom and his mother moved to New York City and that friendship was maintained through phone calls and facetime and texting. Since the move, Riley has not been able to see Tom in person, and now seems like the perfect chance for Riley to go to New York (something she’s always wanted to do) and see her best friend. Her mom is REALLY opposed, but Riley is 18, and she makes the choice—unusual for her—to defy her mother and go anyway. That’s the moment this book really begins. Riley reunites with Tom, who is the same guy she’s always known. Sort of. He’s taller and even more handsome. More important, she realizes, he’s become shy and a bit solitary. Back home, Tom had always been the extroverted, friendly glue that held together a bevy of friend groups, but in New York, he’s a loner. So, Riley extends her quick, weekend trip to a longer stay, determined to set up a web of friendships that will buoy Tom even when she returns home. That decision—the decision to stay—sets up a conflict with Riley’s mom and endless possibilities. Oh, friends, I loved this book so much. I teach seniors, so I see how the pressure to do all the things, all the time, can take its toll on students, who are supposed to know exactly who they want to be and exactly what they’re doing for the rest of their adult lives. It’s a lot. Lord deals with that stress so beautifully with Riley, who has been resentful since her mom’s mission began but now finally has the time to stop and really consider what it has meant for her. Riley loves writing, loves creating, loves being around people and building deep friendships and putting together adventures big and small, but she hasn’t had the time to do any of those things because she’s been so busy doing . . . busy things. Now, she has the strong support of Tom again and the leisure time to realize just how much she missed having leisure time. Of course, there are multiple threads that keep this book moving, including the getaway list of the title, which is the list of adventures that Riley and Tom vowed to take the next time they saw each other. There’s also a fantasy book series that they both love, new friends in New York and old friends who move there, too, and an absolutely lovely friends-to-lovers romance that captured my heart. It’s the self-discovery, though, that resonated most for me, that made me cheer for Riley (and for Tom, and for their other friends who are in the same stage of life). It’s the way her relationship with her mother isn’t dismissed but is instead reshaped and reconsidered now that Riley’s out of school (wow, that story hit hard, since I have a high-school junior at home!). It’s the beautiful portrait of beautiful, flawed people who are just beginning their lives and who are making the inevitable, necessary mistakes that it takes to figure out who they are. I can’t recommend The Getaway List enough.  Thanks to partners NetGalley and Delacorte Press for the digital ARC of Kristy Boyce’s Dungeons and Drama. The book will be published on Tuesday!
Kristy Boyce’s Dungeons and Drama is a fantastic YA romance, a fake dating story, and a tribute to all things D&D and musical theater. After an ill-conceived (and illegal) trip with her best friend Hoshiko to see Waitress—a trip that involved “borrowing” her mom’s car and driving hours away without a license—Riley is sentenced to a life without extracurriculars, working in her dad’s gaming store every day after school. This punishment is extreme: Riley and her dad haven’t had much of a relationship since her parents’ divorce, she hates gaming, and her extracurriculars are the center of her world. But it’s what she has to do if she wants to be released from her banishment from society in time for the musical, for which she is determined to earn a position as student director. At first, her time at the story confirms all of her fears: she doesn’t understand gaming, the other employee (Nathan) is a jerk, and her relationship with her father is as distant as ever. Her situation begins to change when an awkward run-in with her ex and his new girlfriend leads her to proclaim that she’s also in a relationship . . . with Nathan. What ensues is a quid pro quo with Nathan: he’ll pretend to be her boyfriend to save face with her ex, and she’ll act like she’s head over heels for him as a way to attract his crush, a fellow D&Der who only wants what she can’t have. Soon, those fake feelings begin to feel more real, at least for Riley. I enjoyed so much about Boyce’s world here: she describes the passion of devotees everywhere, finding the commonalities between the worlds of gaming and musical theater as Riley performs her way through a D&D campaign as a bard and Nathan and his friends pitch in to help Riley and Hoshiko save the musical (which the school is trying to cancel). Riley is also working on her relationship with her father, and I appreciated the way each comes to appreciate the other’s passion. As both a big fan of musical theater and the mother of a devoted D&D player, it was fun to see the creativity and passion of both realms represented here.  Thanks to partners NetGalley and Wednesday Books for the digital ARC of Jennifer Chen's Artifacts of an Ex. The book is out today!
Jennifer Chen’s Artifacts of an Ex is a thoughtful YA romance with a nuanced relationship at its center. Main character Chloe Chang has been dumped via U.S. mail after moving across the country with her family to take care of her ill grandmother. Chloe’s taking out her rage and heartbreak on the box of mementos her ex sent along with the breakup letter when she meets Francesca, who has also recently ended a relationship. As they bond over their stories, Chloe gets an inspiration: a curated art show focused on “Heartifacts,” the artifacts of failed relationships. She puts out a social media request for people willing to share their own symbols of heartbreak. On opening night, Chloe is outraged by Daniel Kwak who is filming his friend’s reaction to one of the pieces, but as Chloe and Daniel talk, they find common ground and a new friendship. Chloe, however, wants more. For Daniel, relationships are perilous ground: he’s been the rebound boyfriend who sends girls back to their exes five times, and he’s not eager to have a sixth such experience. So, Daniel and Chloe vow to keep things friendly, bonding over their art (Daniel is a filmmaker; Chloe sees herself as a curator) and becoming closer as they come to know each other more. As their lives and hearts become more entangled, Chloe has to work through the feelings lingering from her own relationship, and Daniel has to deal with the vulnerability he has to embrace. Artifacts of an Ex is such a thoughtful romance, one that focuses as much on Chloe’s need to understand her own identity as it does on the relationship at its center. Chen’s development of her characters is quite strong, and I thought the consideration of art and its goals for both Chloe and Daniel was an excellent part of the novel. Overall, this was a strong first novel by an author I’ll watch.  Thanks to NetGalley and Wednesday Books for the digital ARC of Amanda Quain’s Ghosted, which will be published Tuesday, July 25!
Amanda Quain’s Ghosted, a YA retelling of Jane Austen’s Northanger Abbey, far exceeded my expectations. Quain uses her source material creatively but isn’t beholden to it, instead finding an emotional core that (I must admit) I found missing from Austen’s novel. Hattie Tilney attends Northanger Abbey, a ritzy private boarding school her family can afford because her mother, Dr. Tilney, is the headmaster. Despite the fact that her school is notorious for being haunted, Hattie is entirely anti-paranormal, convinced that those who hope to find a ghost are deluding themselves. Then, along comes Kit Morland, a handsome, quirky new student who is decidedly pro-paranormal. Normally, Hattie would avoid Kit completely, but her mother has assigned Hattie to be his ambassador, so she resigns herself to a few tours, some friendly chats, and that’s it. As the layers peel back on Hattie’s story, it becomes clear that this is really a novel about grief and healing. Immediately before her family moved to Northanger Abbey, her beloved father died of a cancer that killed him quickly. Hattie decided that her new school offered a chance at a fresh start, so she rejected the study of history, of hauntings, of ghosts that had so captivated her and her father. She makes new friends, does what she needs to do to be successful and moderately popular, and blends into the background. Until Kit. Kit immediately gets under Hattie’s defenses, and when they’re assigned to work together for their journalism class on a semester-long project focused on the ghosts of Northanger Abbey, Hattie realizes that everything she had suppressed is coming to the surface. Quain crafts brilliant, complex characters. Hattie, whose first-person narration drives the novel, is vivid and empathetic and sad. It’s clear that, while she looks out for her younger brother, Liam, and tolerates her older sister, Freddie, she’s not really connected with her family, particularly her mother, who she most often calls Dr. Tilney. As Hattie works through her college applications (she’s a senior), it becomes clear that she’s also not connected to the college path she’s committed to. Even her friends see only her surface. It’s only Kit who begins to see who Hattie really is and could be. I absolutely loved this novel, which so beautifully delves into both Hattie’s healing but also into the inevitably difficult transitions that all teenagers at this age must undertake and, of course, into the relationship that grows between Hattie and Kit. Watching her again feel her feelings is an incredible journey.  Aiden Thomas's Cemetery Boys was one of my favorite books of the year in 2021, so I'm not sure why it took me so long to pick up Lost in the Never Woods, his gorgoous, YA, modern retelling of Peter Pan.
Wendy has basically been surviving since she and her brothers disappeared five years before. She returned after a few months, dressed in strange clothing, with no memories of where she'd been, but there's been no sign of her brothers. She and her parents have avoided talking about the tragedy, and Wendy has come to exist in solitude except for her best friend, just waiting for the day they can go to college and escape the absence her brothers have left. Recently, though, kids have started disappearing, and Wendy has to work harder not to think about those missing months. One night, Wendy is on her way home from work and decides to take a short cut through the woods, despite her parents' warnings against them, and she nearly hits a boy who looks just like the face she's been compulsively drawing for months. Thomas's decision to shift this retelling to Wendy's point of view works beautifully, allowing the author to consider grief and recovery as well as the inevitable transition into adulthood. His curation of that original story, the details he included and those he transformed, are just delightful. |
AuthorI'm Jen Moyers, co-host of the Unabridged Podcast and an English teacher. Archives
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