 Thanks to partners NetGalley and Knopf for the digital ARC of Tayari Jones's Kin.
Tayari Jones’s Kin, a brilliant new novel set in the 1950s and 1960s, centers on Vernice and Annie. The two girls grow up together in Honeysuckle, Louisiana, in lives intertwined around one central absence—mothers—and one central presence—their friendship, more akin to a sisterhood. As the girls mature, they wrestle with the ways that their mothers’ stories shape their own. Vernice, whose mother was murdered by her father, is haunted by what might have been: the mother who might have loved her, who might have shown the affection that her aunt Irene, who raised her, could never quite express. Annie—whose mother left her with her grandmother, another woman who provided the required care but was unable to offer the love for which Annie yearned—envies the clean break represented by Vernice’s mother’s death. In place of such a definitive loss, Annie becomes determined to find her mother and to, somehow, establish the relationship that she was denied. Vernice’s path takes her to Spelman College, where she realizes that her intelligence is no match for the lessons of society. Vernice’s vision of herself—her sexuality, her appearance, her future—winds through a series of changes that seem to take her further and further from Honeysuckle. Annie’s vow to find her mother leads to Memphis, along with an ex-boyfriend, his cousin (Annie’s current boyfriend), and the ex-boyfriend’s new girlfriend. (Yes, it’s complicated.) Annie’s tunnel vision makes everything revolve around that search for her mother and imperils her ability to establish her own path forward. Told in alternating perspectives, Kin was impossible to put down. The friendship between Vernice and Annie’s is undoubtedly the strong center of the novel: the ways that these characters contrast and complement each other is absolutely beautiful. Jones’s writing is vibrant and so, so quotable. I found myself marking quotation after quotation because of its wisdom, a deep truth it revealed about Vernice or Annie, or just because it was beautiful. Her ability to bring to life her protagonists but also a rich cast of secondary characters is remarkable. Ultimately, Kin made me feel the joy and pain and hope of these women, made me want the best for them, and made me love them even through their mistakes and their flaws. Kin is the second of Jones’s novels I’ve read--An American Marriage was also a five-star read for me—and it has convinced me to prioritize her backlist.
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 Thanks to #partner @celadonbooks for the ARC of Charleen Hurtubise's Saoirse. The book will be published on February 24!
I was so thrilled to read Charleen Hurtubise’s Saoirse (you can find the synopsis below), and I found that it more than lived up to my expectations. This book was an easy five-star read for me. Hurtubise reveals Saoirse’s full story layer by layer, weaving between past and present to show both who she was and who she has become. Her current life, which centers on art and love for her partner and her two young daughters, is all that she hoped for, but there’s a constant sense of the threat that she fears lurking beneath this beauty. As a reader, I desperately wanted the new life, the existence she manifested as she clawed her way out of her old life, to last . . . but I feared that it couldn’t. The writing here is gorgeous, unflinching in its portrayal of ugliness but equally vivid in communicating love and hope, and there’s a perfect balance of plot and character that meant I could hardly bear to stop reading. What a stunning novel. Synopsis: “For readers of Colm Tóibín and Claire Keegan, Saoirse is a powerful novel set between the United States and Ireland about a woman who runs from her traumatic past and the secrets she carries to survive. “In Michigan, Sarah’s childhood was defined by fear and silence. As a teenager, she saw a chance to escape and took it. Now, in 1999, she is an artist living on the rugged coast of Donegal, Ireland, where she is known as Saoirse (pronounced Sear-sha)—a name that sounds like the sea and means freedom in the language of her adopted country. And free is precisely how she is finally beginning to feel. Her partner and two beloved daughters are regular subjects of her paintings, and together they have made the safe home she always longed for. But Saoirse's secrets haunt her. No one must learn of the identity she has stolen in order to survive; they cannot know of the dangers that she crossed an ocean to escape. “When her artwork wins unexpected acclaim at a Dublin exhibition, the spotlight of fame threatens to unravel the careful lies that hold her world together. Journalists and admirers begin to ask questions about the mysterious artist from Donegal, and she fears the unwanted publicity will expose all that she has done. “Saoirse is an evocative, suspenseful exploration of the intimate relationship between art and life and the lies we tell ourselves in the name of reinvention.”  Thanks to partners NetGalley and Penguin for the digital ARC of Ivy Pochoda’s Ecstasy. The book will be published on June 17!
I’ve seen many reviewers calling Ivy Pochoda’s Ecstasy a fever dream, and that feels exactly right. This loose retelling of The Bacchae (which I’ve read about but haven’t read) immerses the reader in a world of entitlement and luxury and oppression, in a battle between masculine and feminine forces, in a power struggle whose fate feels pre-determined. It was a one-sitting read for me. The book begins with a quartet of travelers (not “vacationers”—they’re too cultured to “vacation”) to the island of Naxos where Lena, her best friend Hedy, Lena’s son Drew, and Drew’s pregnant wife Jordan will stay at the family’s luxe hotel, which is in the last stages before its grand opening. Some of the dynamics become immediately clear. Lena and Hedy were dancers together until Lena married Stavros, who swept her away from the excitement of that life into an existence driven by an obsession with class and wealth and putting forth the right facade. It’s a world centered on Stavros in which Lena is a type of prop. Drew has clearly taken it upon himself to continue the dominant role of his father, who recently died on the island’s beach. When the group arrives, they find that there’s a major hiccup with the preparations: there’s a group of women who are refusing to leave the beach. They assert that it’s a cultural and historical landmark that belongs to the island, not to the hotel. Drew, of course, disagrees and is willing to do whatever it takes to eject them from the property. Legally, though, that’s a more complex proposition than he’s willing to accept. That’s the setup. What seems a fairly straightforward tale of class and misogyny quickly, however, shifts because of Luz, the leader of the women on the beach. As Lena is drawn into her circle—into drugs and dancing and unfettered self-expression—she begins to push back against the relationship dynamics that have controlled her life for so long. So much about this book worked for me. I appreciated the shifts in narrative perspective, which allow the reader a glimpse into the group’s slow immersion into surreality, and Pochoda’s writing is undeniably gorgeous. I thought that the changing group dynamics beautifully illuminated the messages of the book: the despicable Drew’s entitled, brought about by his wealth and his gender; the ways that Hedy served as a grounding influence for Lena; Jordan’s attempts to maintain her own agency in the face of Drew’s micromanaging and close-mindedness. I did wish, however, that parts of the book’s message were more subtle, some of the plot elements less predictable. Still, Ecstasy is an absorbing tale that is compelling and thought provoking.  Thanks to Celadon Books and NetGalley for the egalley of Kristin Koval's Penitence, which is available for purchase.
The foundation of Penitence rests on a horrific murder: thirteen-year-old Norah shoots her older brother, then calls 911. She's immediately taken away from her family and into a juvenile detention center. Norah's parents are ill equipped—as anyone would be—to deal with the simultaneous loss of both of their children. They do what's needed: they bury their son, and they hire an attorney, Martine. As the narrative shifts points of view and timelines, there's a murkiness that shades everyone's understanding of Norah's motivation. Koval explores the history of Norah's mother, Angie, who dated Martine's son, Julian, for much of her young adulthood. It seems their relationship is in the past . . . and then Martine brings in Julian as lead attorney on Norah's defense. I found Penitence to be a compelling read. I definitely wanted to know what happened, and I was intrigued by the complexity of each character and of the ways their lives intertwined. Ultimately, there was something about the narrative that kept me at a distance, but I admired it greatly and enjoyed the reading experience.  Thanks to partners NetGalley and Vintage Anchor Books for the digital ARC of Elif Shafak’s There Are Rivers in the Sky. The book is available now for purchase!
Elif Shafak’s There Are Rivers in the Sky features the elements that I’ve loved in so many of her books: a touch of magic, multiple generations and eras, and different threads that ultimately weave together. The novel begins with a drop of rain and King Ashurbanipal of Mesopotamia, a cruel king whose legacy affects the lives of many, including Arthur, born in a sewer in Victorian England; Narin, a Yazidi girl in Turkey with a disorder causing deafness; and Zaleekah, a hydrologist whose crumbled marriage leads her to take a new life direction. As the narrative shifts between their stories, Shafak explores the impacts of climate change, of poverty and inequity, of ignorance. Her writing is simply gorgeous, both on the sentence level and in the ways it peels back the layers of the characters’ connections. There were moments when the whimsy of the raindrop didn’t work for me, occasions when I felt as if the pace of the narrative could have been a little faster. Ultimately, though, this one ranks in the top half of Shafak’s books for me, driven by her exploration of the cycles that spin through human history.  Thanks to partners NetGalley and Algonquin Books for the digital ARC of Wendy Chen’s Their Divine Fires. The book will be published on May 7!
Wendy Chen’s Their Divine Fires comes in at only 256 pages, but that length is deceptive: this is a sprawling, multi-generational tale of three generations of Chinese women that takes the reader from 1917 Liuyang, China to 2009 Massachusetts, United States. Chen’s novel, inspired by the experiences of her own ancestors, begins with the story of a young girl, Zhang Yuexin, living with her family, including her two brothers, in Liuyang. Yuexin is devoted to her oldest brother, so when he cuts his traditional braid, angering her parents, Yuexin cuts her hair, as well. This initial symbolic event sets the stage for unrest: the family is broken when her oldest brother leaves to join the Revolution, setting them on a path that will have unexpected effects on them all. After her brother leaves, Yuexin’s young life is again altered forever when she saves Tan Haiyang, the young son of a local wealthy lord. He stays with the family while Yuexin’s father, a doctor, cares for him. Yuexin and Haiyang form a strong connection, but once he returns home, it seems likely that they’ll never see each other again, driven apart by the distance in their families’ situations. The only hope is that he felt the connection as strongly as Yuexin did. The narrative captures the effects of this Revolution, the ways that its aftermath cycles through the generations, moving through the Cultural Revolution of the 70s to the diaspora who make their way to the United States. Chen’s writing is stunning, and her sense of character is so vivid. Watching the way that early generations appear again later, the ways that ancestors affect their descendants, offers powerful commentary on the cycles of history. Despite the depth and power of its content, Their Divine Fires is a propulsive read, and I can’t recommend it enough.  Thanks to partners NetGalley and St. Martins Press for the digital ARC of Erica Bauermeister's No Two Persons. The book will be published on Tuesday!
It’s easiest to explain Erica Bauermeister’s No Two Persons through its premise: the book is a series of interconnected short stories centered around a book called Theo. Bauermeister’s novel begins with Alice, the author of Theo, exploring the origins of the book, which are connected to her own life, though it’s not completely autobiographical. Each new section explores the presence of Theo in the life of someone new—the artist who designs the cover, the assistant of the literary agent who discovers it, and myriad readers. Through the short stories, characters reappear—we see Alice more than once—weaving a tribute to the power of books in our lives, the ways that they can change the way that we see ourselves, each other, the world. The writing here is just gorgeous, and we see enough of Theo to have an idea of a book, though this isn’t completely a book-with-a-book situation (so there are no long passages of Theo building into the inclusion of the book in its entirety). Instead, it’s the idea of this novel, of the way it’s one thing for Alice and another thing for each person who comes into contact with it, that captures our attention. The title comes from a quotation about no two persons experiencing a book the same way (and there’s a great story at the end from Bauermeister about the origins of the quote), and the way Bauermeister brings life to that concept resonated. There’s deep empathy here, a nuanced understanding of the fact that we can only know the smallest part of the lives of most people we know but also a strong message that empathy can—and should!—arise from even that limited knowledge. I think that anyone who’s a reader, anyone who has seen the way a book can touch someone deeply, anyone who has the urge to share a book with someone they know, will love this book.  Thanks to partners NetGalley and Algonquin Books for the digital ARC of Oscar Hokeah’s Calling for a Blanket Dance.
Oscar Hokeah’s Calling for a Blanket Dance is a combination of novel and connected short stories, a consideration of the life of Ever Geimausaddle. Ever’s father immigrated from Mexico; his mother’s ancestors are members of the Cherokee and Kiowa nations, and Ever moves, through the book, between his different heritages. Beginning in 1976, when Ever is a baby, the narrative shares Ever’s story through a multitude of voices. We hear from his grandparents, his mother, his sister, his aunts, distant relatives . . . but not, for the longest time, from Ever himself. The voices are distinct and opinionated, and they drive home the way the truth of someone can shift both because of the point of view of the storyteller and because we, as people, grow and change. There are some recurring themes through the book, traditions that serve as anchors and which older generations are often striving to pass on to keep them alive. There’s a reverence for ceremony but for a ceremony that is alive and that changes with those who are enacting it. Hokeah’s writing is stunning, and this is a book that I’m sure I’ll be revisiting. Calling for a Blanket Dance has become one of my top reads this year.  Thanks to Partners NetGalley and Catapult for the digital ARC of A. K. Blakemore’s The Manningtree Witches in exchange for an honest review. The book is out on Tuesday, August 10!
I taught Arthur Miller’s The Crucible for a long time at the school where I used to teach, so I’ve dug into the Salem witch trials more than once. Parts of them still resonate: misogyny and class conflict, greed and corruption, and (of course) witch hunts both literal and metaphorical. Miller saw in the witch trials an allegory for the McCarthy trials and the obsession with unearthing communists in 1950s America, and they definitely can stand in for many modern obsessions. A.K. Blakemore’s The Manningtree Witches deals with witch trials in a 17th century English town, and while I’m sure there’s symbolic resonance there, too, it’s the sheer humanity of her novel that struck me. Through much of the book, the voice and point of view we’re following is that of Rebecca West, the daughter of a single mother who has spurned any chance of popularity by her irreverence, her cruelty, and her refusal to follow the rules of the town. Rebecca is more willing to please than her mother, but she’s got strength and independence of her own. Rebecca’s voice is vibrant and funny and wicked; her intelligence is apparent, as is her search for identity and love and comfort and companionship. When a stranger moves to town and begins asking questions about some animals who’ve died, some women who’ve miscarried, a boy who falls ill, it doesn’t take long before the town begins to catch his fervor, and, as always, it’s mostly women—and mostly single women—who are the focus. Rebecca loves her mother but doesn’t always like her, and so at first, the scrutiny satisfies her own cruel thoughts that result from her mother’s casual unkindness. But soon, Rebecca realizes that the accusations are insidious, weaving their way through the minds of the townsfolk. The events of the novel follow a familiar pattern, but their execution makes this a new and unique account. Blakemore builds brilliant characters who are trying to find small bits of happiness despite difficult circumstances, who revel in their friendships with other women who live lives similar to theirs. The writing is fantastic (I marked so many quotations!), and Rebecca feels just absolutely real. This is a confident, compelling debut novel, and I’ll definitely be looking out for Blakemore’s next book.  Thanks to Partner NetGalley for the digital ARC of Daisy Johnson’s Sisters in exchange for an honest review. The book will be published on Tuesday, August 25, 2020.
Daisy Johnson’s Sisters is a gorgeous, mind-bending sliver of a novel. Though it’s only 220 pages long, it immersed me in a world as disorienting to me as it is to its protagonist, July. At the beginning, here’s what we know: July, her sister September, and their mother Sheela have escaped to a home called The Settle House near the sea in North York. They’ve been driven there by the outcome of a mysterious incident at the girls’ school. July has been the victim of bullying, and September--ten months older--is her constant protector, a shield for whom vengeance is routine. It becomes clear, however, that September also wields power, that her strength can be diminishing for July, who always gives in to September’s dominance. As Johnson unveils the history of this family, including the absent father whose behavior may have been the model for September’s actions, I was drawn into July’s understanding of the world. She often has trouble separating her own perceptions and experiences from September, and though she occasionally tries to assert her individuality, she is drawn again and again into September’s influence. The course of the novel, told in gorgeous prose, is winding and surprising. Daisy Johnson’s development of her characters and their perspectives--she occasionally alternates points of view--is both surreal and real, portraying vividly the minds of these women. After loving Sisters so much, I will definitely be visiting her backlist! |
AuthorI'm Jen Moyers, co-host of the Unabridged Podcast and an English teacher. Archives
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