![]() Thanks to Celadon Books and NetGalley for the egalley of Kristin Koval's Penitence, which is available for purchase. The foundation of Penitence rests on a horrific murder: thirteen-year-old Norah shoots her older brother, then calls 911. She's immediately taken away from her family and into a juvenile detention center. Norah's parents are ill equipped—as anyone would be—to deal with the simultaneous loss of both of their children. They do what's needed: they bury their son, and they hire an attorney, Martine. As the narrative shifts points of view and timelines, there's a murkiness that shades everyone's understanding of Norah's motivation. Koval explores the history of Norah's mother, Angie, who dated Martine's son, Julian, for much of her young adulthood. It seems their relationship is in the past . . . and then Martine brings in Julian as lead attorney on Norah's defense. I found Penitence to be a compelling read. I definitely wanted to know what happened, and I was intrigued by the complexity of each character and of the ways their lives intertwined. Ultimately, there was something about the narrative that kept me at a distance, but I admired it greatly and enjoyed the reading experience.
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![]() Thanks to partners NetGalley and Macmillan for the digital ARC of Libba Bray’s Under the Same Stars, which will be published on February 4. I’m a long-time fan of Libba Bray’s work, of the way she’s able to shift between fantasy and historical fiction, incisive cultural and societal commentary and truly hilarious comedy, gorgeous romance and thrilling action. When I saw a promo for her new YA novel Under the Same Stars, I requested it without even reading the synopsis. It was the right decision. Under the Same Stars is historical fiction that weaves between three time periods, three protagonists. First is Sophie, a teenager in 1940s Germany. Sophie and her best friend Hanna are more focused on love and friendship than on the war that increasingly encroaches on their village. They write romantic letters to mysterious pen pals, leaving their notes in the Bridegroom’s Oak that lies in the nearby forest, checking back frequently for responses. Soon, though, they are unable to deny the threats among them and have to decide how they will react to the injustice they see. The second story takes place in West Germany in 1980. The Berlin Wall runs through the city where Jenny Campbell and her family move because of her father’s promotion. Jenny hasn’t been satisfied with herself or her life for a while, but this major change opens up possibilities for her as she happens upon the underground punk scene and, in particular, Lena, who seems to embody all that Jenny wants for herself. As Jenny is drawn into Lena’s world—and drawn to Lena herself—she struggles with the expectations of her parents, her vision for herself, and the demands of her new friends in the face of the wall that looms over them all. Finally, there’s Miles in New York City, at the beginning of the COVID lockdown, during Miles’s senior year of high school. Miles is living alone—one of his mothers was traveling when the lockdown happened, and the other is a nurse who is self-isolating to keep Miles safe. Miles is even more lonely because he and his best friend Chloe hadn’t talked for months, and now the lockdown makes it seem as if they’ll never talk again…until she reaches out for her help unraveling a mystery. Chloe’s grandmother suffered from a stroke and is now in an assisted living home, unable to communicate. But she sent a mysterious package to Chloe with details about her youth in Germany. Miles has taken three years of Germany and, like Chloe, is a huge fan of an investigative podcast, which has inspired Chloe to look into her grandmother’s history . . . with Miles’s help. From here, Bray orchestrates a gorgeous balancing act, one that navigates each teenager’s coming of age, the upheaval of their unique eras, and the decisions they must make for who they want to be in the changing worlds around them. Because there’s always just a little magic in Bray’s books, there’s also a beautiful fairytale that is told and re-told through the novel, transforming as truths emerge and come into focus. Under the Same Stars is a stunning novel that shows, through these characters, how important it has always been to stand up for what is right and to take hold of who they truly are. ![]() Thanks to partners NetGalley and St. Martin's Press for the digital ARC of Emma Lord’s The Rival, which will be published on January 21. Emma Lord has such a talent for writing YA romances with compelling premises that don’t fall victim to oversimplification. (It’s why she’s one of my auto-read authors.) With her newest novel The Rival, she tells a sort of enemies-to-lovers romance that confronts the challenges of being a college freshman and the best way to stand up for a cause we believe in. Sadie earned her high school’s single, coveted spot at Maple Ride University, winning out over her family friend—and secret, long-time rival—Seb, who’s attending a different, prestigious school. Sadie is determined to make her mark at Maple Ride and to earn the one staff position for a freshman at the college’s zine Newsbag, all as a way of setting up her comedy career. There’s a twist, of course. Seb, who was waitlisted, has shown up on campus. And he also wants to join the Newsbag staff. Sadie had looked forward to escaping the constant challenges of her rivalry with Seb but also of establishing a new, true college identity, the one she had never been able to live out when she was with our family. With them? Well, they’re A. LOT. And Sadie always finds herself in the role of mediator, smoothing things over, evening out everyone’s emotions. Now? She may want to be a lot, too. That’s the initial setup. Add in a budget controversy in which the college is pulling money away from extracurriculars like Newsbag to fund their sports teams, and there’s the perfect recipe for a compelling, complicated, wonderful YA novel. The romance is at the center of the book here, but it’s not the only focus. There are wonderful conversations about Sadie and Seb’s challenges as they leave their families—they’re excited to be on their own, homesick for their families, ready to carve out new identities, but not quite prepared to leave who they were behind. There are great considerations of friendship, of how to be an advocate and an ally without dismissing the concerns of those who may be affected by change. There’s a fantastic subplot about romantic relationships—Sadie is completely inexperienced and, now that she’s in college, is having a hard time moving past the feeling that she is the ONLY one who is in her same position. That may sound like too much, but Emma Lord makes it work. The Rival navigates these various threads easily, with humor and empathy and swoony romance. It epitomizes everything I love about Lord’s writing. ![]() Thanks to partners NetGalley and HarperCollins for the digital ARC of S. F. Williamson’s A Language of Dragons. S. F. Williamson’s A Language of Dragons is a perfect read if you love fantasy or history or romantasy (though I wouldn’t call it romantasy, really). This 1923 alternate history is set in a London on the cusp of war. Vivien Featherswallow is a solid member of a Second Class family, privileged to have won a place studying dragon languages and—she hopes—following in the footsteps of her mother, a successful academic. Viv hopes that, by succeeding academically, she can ensure that her family retains their place in the center of society. Viv’s life descends into turmoil in just moments when the adults in her family are arrested as rebels, and the stability that Viv counted on for her cousin, her younger sister, and herself disappears. Viv acts quickly to try to regain some sense of control, landing herself in a tenuous position whose only remedy is agreeing to work for the government that threatens everyone she loves. Williamson plays with British war history, bringing Vivien into a team of rivals stationed at Bletchley Park who are tasked with uncovering truths about each facet of dragon life. As a civil war creeps closer, Viv desperately works to translate the dragons’ echolocation, which her teacher thinks may represent the key to unlocking their secrets. The story unfolds from there, a delicious mix of history with dragons and intellectual challenges and cutthroat academic competition. I loved so much about this book. Viv is a complex character who has made some poor decisions in the past that have betrayed some of the people closest to her, and watching her claw her way toward better decisions is incredibly compelling. The world building is just fascinating, and I appreciated Williamson’s ability to transform historical details around . . . dragons. The dragons themselves add another layer to the central story: they are prickly and independent and just as complex as the human characters at the center of the story. A Language of Dragons is a fantastic debut from Williamson, an author I’ll be following. ![]() Thanks to partners NetGalley and University of Minnesota Press for the digital ARC of Creature Needs: Writers Respond to the Science of Animal Conservation, edited by Christopher Kondrich, Lucy Spelman, and Susan Tacent. As an English teacher at a school with an environmental focus, where I’m constantly exploring the ways that literature can fuel a deeper understanding of science, I was immediately intrigued by the premise of Creature Needs: Writers Respond to the Science of Animal Conservation, an anthology of essays, short stories, and poetry. Editors Christopher Kondrich, Lucy Spelman, and Susan Tacent organized their collection around six basic needs that all creatures share: air, food, water, shelter, room to move, and each other. Each need has its own devoted section. The real hook is what comes next: within each section, the individual creative pieces are inspired by peer-reviewed articles that delve into specific conservation needs or concerns. For example, the article “Bumble Bee Species Distributions and Habitat Associations in the Midwestern USA, a Region of Declining Diversity” inspired Maggie Smith’s lovely poem “A Single Worker,” and “A Systematic Review of Potential Habitat Suitability for the Jaguar Panthera onca in Central Arizona and New Mexico, USA” fueled Sofia Samatar’s essay “The Sublime Is a Foreign Species.” With each new piece, I eagerly anticipated the way that a given contributor would use the statistics or facts within an article as a springboard for their own reflections, often melding personal anecdotes with considerations of the interconnectedness of the lives of these creatures and our own experiences. As with all anthologies, some of the pieces resonated more with me than others did, whether because of writing style or because of the way the creator navigated the bridge between the article’s objectively described focus and the subjective truths that often hit more deeply. As a whole, however, Creature Needs was just the text I hoped it would be. ![]() Thanks to partners NetGalley and St. Martin's Press for the digital ARC of Colby Wilkens’s If I Stopped Haunting You. If I Stopped Haunting You is an enemies-to-lovers romance that incorporates a consideration of publishing trends for indigenous horror with a super-spooky Scottish haunted house story and an open-door romance story with LGBTQ+ representation. Yes, it may be a lot. But it’s a lot of fun. Penelope Skinner is one novel into her writing career when she makes a potentially career-ending move: during a conference panel about indigenous horror books, she launches her own hefty novel at the head of Neil Storm, an infinitely more successful author who Penelope considers to be a sellout because of the way he uses Native stereotypes in his most recent book. The scandal chases Penelope into hiding until her friend Laszlo invites her to a writers’ retreat in an isolated Scottish castle. She’s eager to get a grasp again on her writing career . . . and then she discovers that Laszlo has also invited his friend—and her nemesis—Neil and her ex-girlfriend Daniela. Not awkward at all. They make it to the castle, complete with a horrifically creepy introduction from the caretaker, before completely falling apart. And then a mix of (un)healthy competition, jealousy, and denied chemistry ensues, all while the four writers are trying to churn out new books and a ghost seeks out a new audience for her story. Wilkens’s mix of romance and the paranormal here mostly worked for me, and I appreciated the sincere consideration of what the publishing industry is looking for in the works it promotes by indigenous authors. I did feel, at times, that the parallels between the romance and the paranormal were a little jarring, but overall, I found If I Stopped Haunting You to be a compelling debut romance with some thought-provoking questions at its heart. ![]() Sarah Ward’s The Crossover is a delightful, sports-centered romance focused on two very different college athletes whose different approaches to life and love bring them together. Stella is a driven perfectionist whose last relationship has led her to vow to avoid romance and double down on her commitments. She’s an equestrian who wants her future to center on the sport, despite her mother’s skepticism that she can support herself at all. Owen’s approach to everything—love, sports, academics—is decidedly more casual. As a new transfer to Mountain Ridge University, Owen is joining the basketball team at a disadvantage. But he’s not worried (about anything). When they first meet, at the gym, Owen is immediately drawn to Stella, and Stella is . . . not interested. At least that’s what she tells herself. But as she gets to know Owen, she starts to see that there may be more depth than either of them had believed. In her second novel, after her great middle-grade read Victory Gallop, Ward’s first foray into romance is compelling and heart warming and so much fun. Stella and Owen both have strong backstories that fuel them, and each is fighting their way out of the limitations their parents have placed upon them. The Crossover is a delightful book that cements Ward as an auto-read author for me! ![]() Thanks to partners NetGalley and Vintage Anchor Books for the digital ARC of Elif Shafak’s There Are Rivers in the Sky. The book is available now for purchase! Elif Shafak’s There Are Rivers in the Sky features the elements that I’ve loved in so many of her books: a touch of magic, multiple generations and eras, and different threads that ultimately weave together. The novel begins with a drop of rain and King Ashurbanipal of Mesopotamia, a cruel king whose legacy affects the lives of many, including Arthur, born in a sewer in Victorian England; Narin, a Yazidi girl in Turkey with a disorder causing deafness; and Zaleekah, a hydrologist whose crumbled marriage leads her to take a new life direction. As the narrative shifts between their stories, Shafak explores the impacts of climate change, of poverty and inequity, of ignorance. Her writing is simply gorgeous, both on the sentence level and in the ways it peels back the layers of the characters’ connections. There were moments when the whimsy of the raindrop didn’t work for me, occasions when I felt as if the pace of the narrative could have been a little faster. Ultimately, though, this one ranks in the top half of Shafak’s books for me, driven by her exploration of the cycles that spin through human history. ![]() Thanks to partners NetGalley and St. Martin's Press for the digital ARC of Emma Lord’s The Break-Up Pact. The book will be published tomorrow. You can’t go wrong with a book by Emma Lord. Her five YA novels have made her an auto-read author, so when I saw she was expanding into adult romance, I was thrilled! Her new book The Break-Up Pact, which features , friends to lovers, second-chance romance (of a sort), AND fake dating does right by its tropes and confirmed my commitment to reading everything she writes. June and Levi were—along with June’s sister Annie—inseparable as kids and clear through high school. And then, as Levi and Annie, and then June, went to college, they drifted apart. June started dating Griffin, joining him on global adventures—and, by extension, on his quest for fame. She thought they were happy . . . until he returned from a solo trip with someone new, breaking up with June on a reality tv show and making her (the Crying Girl) a viral sensation. Levi has achieved fame of his own, and his fiancee left him for an action movie star, meaning that Levi, too, has become a viral object of pity. Levi returns to town, finding June running Tea Tides, the tea shop that she and Annie had always dreamed of opening. Now, in the wake of Annie’s death, June is struggling on all fronts, failing to make the business a success, losing the love that she thought she had, and finding herself unsure how to deal with the unresolved feelings she still has for Levi. June and Levi wallow in misery for a while, and then June’s best friend Sana has an idea: they can each emerge with a little more dignity, a chance for Tea Tides, and some envy-inspired romance for Levi if they just pretend to revenge date for a while. And so the Break-Up Pact is born. Lord has such a fantastic touch with characters that I fell in love with June and Levi and all of their family and friends right away. The Break-Up Pact is steamier than Lord’s YA books for sure, but it captures the same giddy sense of new relationships and possibilities while balancing the wistful longing for the days when June and Levi were best friends and Annie was still alive. I so appreciate the way the novel peels back the layers of each character’s recovery and of the rebuilding of their multifaceted relationships. It’s a lovely read, a moving portrait of compassion and friendship, grief and love, and it’s about characters figuring out who they are and how being with the right person can help them build stronger individual identities. ![]() Thanks to partners NetGalley, Simon Element, and Marysue Rucci Books for the digital ARC of Helen Phillips’s Hum. The book will be published on August 6! Helen Phillips’s Hum is one of those books that crawls into the deepest parts of my brain—the niggling thoughts and fears that surface most often in the middle of the night—and just won’t leave. It’s speculative fiction set in the very near future, a novel that unearths the ugly threat of our pathways and habits. The setting is a city devastated by the climate crisis. May and her family—her husband Jem and children Lu and Sy—have struggled to survive on his gig work since May lost her tech job to hums, robots driven by the very AI she’d been training. Out of desperation, May signs up for adversarial tech surgery. These small modifications to her face will prevent her from being recognized by the technology that runs her city. The large payment she gets in exchange is meant to go to practical costs like rent and medical bills, and May does take care of some of those. But in a spontaneous (but not really) move, she also buys nonrefundable tickets for a family weekend at the Botanical Garden, the only place where they can access the type of nature that is now lost, the type of nature that surrounded May while she was growing up. Despite Jem’s misgivings, the family embarks on this trip within the city, with May determined to make the weekend a perfect oasis within the gritty darkness of their lives. This world is one where adults are always on their phones; where children’s lives are tracked and fueled by “bunnies,” wearable wrist technology; and where people spend much of their time within Wooms, immersive isolation pods in which occupants are completely surrounded by screens. But May wants to break these connections, insisting that they leave their phones and bunnies behind. Hum isn’t a comfortable book; there’s too much that’s recognizable, and I often felt deeply seen (and not in a good way), and every page of the book is thought provoking. But. It’s when May’s children go missing in the midst of the Botanical Garden, untrackable (no bunnies!), that the story really ramps up . . . as did my anxiety . . . even (especially!) when a Hum steps into help. Phillips, the author of The Need (another amazing book), is juggling so much here: Hum features deeply drawn characters and an incredibly compulsive plot alongside resonant questions about the path we’re all on and where it may be leading. I couldn’t look away, from the book or from what it reflected back at me. This will be one of my top books of the year. |
AuthorI'm Jen Moyers, co-host of the Unabridged Podcast and an English teacher. Archives
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